The man everyone tried to silence, and failed
HO CHI MINH CITY - Trinh Cong Son, the man whose voice the powers on both sides of the Vietnam war
tried and
failed to silence, is writing songs again.
Now a gaunt and frail 61, he was in his early 30s when he was first persecuted
for the songs that
earned him the name of the Bob Dylan of Vietnam at the height of the war in the
late 1960s and
early 1970s.
A ban on his songs and attempts to intimidate him into silence succeeded only in
taking the tapes
of such favorites as "Wet Eyelashes" out of shop windows, but not from behind
the counter.
Saigon army troops and even some generals played them, university students sang
them, and
western reporters and friends smuggled them out to France and the United States.
Twenty-five years ago this month, when communist troops were knocking on the
doors of the city
-- with rockets not their fists -- Trinh Cong Son chose not to flee with
thousands of his
countrymen although most of his family did.
At that time, the irrepressible composer didn't know what to expect, but simply
told friends that
Vietnam -- which he then likened to a football field chosen by the Cold War
powers -- was his
country.
There was no hero's welcome by Vietnam's new communist rulers for the poignant
songs he
wr
"It was very hard," he told AFP, sitting sipping Chivas and water on the rocks
in his home in a
quiet back alley of what is now named Ho Chi Minh city, surrounded by unfinished
canvasses and
his guitars.
He was speaking reluctantly of the four years he spent planting rice and manioc
amid old
American and Viet Cong minefields along the Laotian border.
"But luckily I got out in one piece."
He said he wrote some songs then, in the hard years between 1975 and 1985 when
he got his
dose of political "reeducation" between the planting sessions, but "nothing
beautiful" came out of
that time and he did not publish them.
"There are no hidden songs," he added wryly. "You need time to write, and
changing a regime
takes a lot of time."
Government surveillance of him, "stopped a long time ago," although "they always
seem to know
what you are doing," he said.
Allowed to travel now, he has visited Canada and France, London and Hong Kong,
Macau and
Thailand, but always returned home, where he now says the communist government
is used to
him.
A visit to the United States, where some of his family lives, is still not
possible because in
California, where they live, some Vietnamese are still against him, he said.
The rest of his family are in Canada, and since the death of his mother in his
home city of Hue, he
has been the only one of the family in Vietnam.
But now the worst time is over, and the government leaves him alone.
"They know I'm not anti-regime, that I just tell it like it is," he said with a
shadow of his old grin
returning.
There is no censorship, he said, but added that artists in Vietnam where he now
belongs to the
national and Ho Chi Minh city composers and artists' association, have learned a
sort of
self-censorship.
The wry grin returns. "It is like children in a family, you tell them they are
free to do what they
want to do, but that they must be responsible for their actions."
The composer, whose failing health has landed him in hospital several times in
the past years, and
who has for the past ten years also turned to painting, has given up his
five-pack a day cigarette
habit, but not the whisky.
He has also turned to meditation to find "peace of mind, peace of soul" and has
closed the
chapters of his past -- the persecution of the pro-American government in Saigon
during the war
and the hard years that followed.
Nor does he want to revive those songs.
"Every song has its time," he said. "The young people now they don't understand
what was
happening in the war. it has no meaning for them."
Life he says is easier now, and at long last he feels he can live "both inside
and outside myself."
His songs, now sold on compact discs, are being played in nightclubs here,
especially the romantic
ones with titles such as "You're Still the One" and "Feckless Flower". And he
has become an
inspiration to younger artists today.
He and other artists were asked to write songs to mark the new millennium and
the 25th
anniversary of the war, and he might feel moved to try a millennium song.
But as for the anniversary: "Now people are in pursuit of the good life,
everyone is chasing money.
"The war is over for us, for me too."
AFP - April 28, 2000.
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